by GJC Designs » Thu Dec 20, 2012 8:28 am
Sonically the Q and S/S2 should be very similar. Many of the blocks of circuitry are the same but they are just packaged differently into the modules. I worked on a large S2 console (reconfiguring and installation) that is installed in a music studio with a very happy owner.
Some types of Q modules will run very hot and this will lead to a requirement for re-capping. S and S2 consoles also need re-capping, but not as frequently. The longer life of caps in the S/S2 is due to a number of factors which include the space between the parts resulting from the use of surface mount components, the choice of particular ICs for their thermal performance (without compromising the audio), greater airflow through the modules & console frame.
The Q, with its small size modules and ribbon cable interconnect within the console frame lends itself to cusomisation but it is very involved and time-consuming, whereas the S/S2 with its one channel per module design is pretty-much fixed-facility. Having said that, Calrec thought-out the S/S2 with care and the range of modules and facilities designed for the S/S2 is staggering. Re-configuring an S/S2 console really is "electronic lego" when you have all the modules to hand..... make a desk larger, smaller, install compressors in the meter upstand, re-configure the metering.
There is an increase in reliability with the S/S2 as the number of inter-module connections is reduced: EDAC connectors are on the channel and master section backplanes and the modules plug directly into these backplanes. The majority of the console wiring is inter-backplane (comprises of short ribbon cables), power distribution and meter upstand wiring. The Q on the other hand..... well.... I'm sure you have seen what's under and behind the Q console.
As far as cost of repairs to SM assemblies is concerned, within my own workshop, there is no differentiation in costs for SM or through-hole work - the workshop rate is the same. The cost of SM parts is often less than conventional parts. The real differences are in the handling (tweezers instead of fingers) and tools (fine tip soldering iron, tweezers, magnifiers). Finally and most importantly skills of finesse are a pre-requisite for SM work. With the correct tools and skills, recapping a surface mount module is quicker than a comparable through-hole module.
There is a lot of negative writing about the use of SM parts in high-end audio and a large proportion of it is NOT based on fact, knowledge or experience.
There was a multitrack system available as an option for the S/S2 consoles - it sounds like the desk that is on offer does not have this fitted.
Gareth